11/12/2023 0 Comments What a cartoon show yoink of the yukon![]() ![]() However, Cartoon Network launched I Am Weasel in 1997 and Ed, Edd n Eddy in 1999 with no What a Cartoon! short making them, the 2 only all original Cartoon Network programs during the 90s not to be introduced through an original short. In fact, some shorts were even created as the type that were better off as one shots and would never perform well beyond stand alone status (like Awfully Lucky which centered around a pearl that granted good luck, and bad luck following each moment of good luck it brought). A vast majority of the shorts have never received their own runs as series on the Cartoon Network schedule (especially if the short only had one original What a Cartoon! pilot). The What a Cartoon! shorts ended with silent clips of the cartoons squeezed in with the credits and sometimes the cartoon's full title would show up along with the clips above the credits. The Big Cartoon DataBase cites What a Cartoon!/ World Premiere Toons as a "venture combining classic 1940s production methods with the originality, enthusiasm and comedy of the 1990s." A similar program, also created by Fred Seibert, was introduced on Nickelodeon in 1998, titled Oh Yeah! Cartoons. The What a Cartoon! experiment introduced many of today's top animation talent and was repeated several times. Shake & Flick, however, still received popular reception even though it never went past being a one-shot, and Cartoon Network never found the proper way to continue it past its WAC pilot. In fact, Cow and Chicken and Courage the Cowardly Dog were the only exceptions.Shake & Flick (a WAC short set in Rome about a conceited poodle and a ferocious flea) was nominated for a run by Cartoon Network, but it was Johnny Bravo that won the contract. Most of the WAC shorts that were voted into shows had more than 1 short. The version with the other WPT cartoons was later included on Cartoon Network Video videotapes. The special, without the Powerpuff Girls cartoon or any of the clips from the other WPT cartoons featured in the special, was later included in the Space Ghost: Coast to Coast Volume 3 DVD. The Toon-In was simulcast on Cartoon Network, TBS Superstation, and TNT. The special was hosted by Space Ghost and the cast of Space Ghost: Coast to Coast, and featured comic interviews and a mock contest with the creators of the various cartoons. The first World Premiere Toon broadcast in its entirety was The Powerpuff Girls in Meat Fuzzy Lumpkins, which made its world premiere on Februduring a television special called the World Premiere Toon-In (termed "President's Day Nightmare" by its producers, Williams Street). The first poster campaign of its kind introduced the world to the groundbreaking new stable of characters. The Corps launched a prolonged Guerrilla mailing campaign, targeting animation heavyweights and critics leading up to the launch of World Premiere Toons. Each of 48 short cartoons mirrored the structure of a theatrical cartoon, with each film being based on an original storyboard drawn and written by its artist/creator.Įach of the shows' creators worked with the internal Hanna-Barbera "Creative Corps" Art Director Jesse Stagg and designer Kelly Wheeler to craft a series of high quality, limited edition, fluorescent art posters. Its mission was to return creative power to animators and artists, by recreating the atmospheres that spawned the great cartoon characters of the mid-20th century. World Premiere Toons was an animation project conceived and produced by Fred Seibert, the original creative director of MTV and Nickelodeon who served as the president of Hanna-Barbera Cartoons, Inc., prior to founding Frederator Studios. ![]()
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